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(She nearly kills herself and several others when she fails to see a landmine, though the professional soldiers are lenient after seeing her in tight shorts.) Called back to London to okay Akira’s footage, Samar is hit by a van (for the second time) and develops amnesia. Sharma is a vivacious screen presence but her flighty giddiness in an active war zone is dumb. Post-break, we time-jump ahead to 2012: Akira has scored her first big gig filming Samar and his outfit diffusing bombs. As the house lights go up for the traditional intermission, audiences could not be blamed for thinking Jab Tak Hai Jaan had concluded. The age-old poor boy/rich girl archetypes are played out to their inevitable conclusion, spinning from soaring highs to tragic lows in a single edit and padded out with countryside montages.
This entire sequence, clocking in at over 90 mins, is filled with bouncy tunes and sharp choreography (a rave-like dockside party pulsates with energy), but there’s next to no substantial plotting or subtext. His life becomes intertwined with stunning society girl Meera (Katrina Kaif) and a deep bond is formed. Here, Samar is an effervescent young man (a clear struggle at times for the 48-year-old Khan) who busks between waiting gigs and shovelling snow at a local church. Discovering a journal the officer mistakenly left behind, Akira reads it and transports the film’s setting back to London 2002. A short prologue sets up the pre-intermission plotting: spunky cadet journalist Akira (Anushka Sharma) is rescued from drowning by the dark, moody Samar in an isolated location.
The film honours his memory with a moving end-credit montage that profiles the man at work.Ī grand cinematic work boasting all the pros and cons of the genreĬhopra’s favourite leading man, Shah Rukh Khan, plays Samar Anand, an emotionally scarred bomb-disposal officer in the Indian army. A grand cinematic work boasting all the pros and cons of the genre, this unashamedly cornball star-vehicle for three of India’s hottest talents is a fitting swansong for the late filmmaker, who passed away on October 21 at the age of 80. Taking on directorial duties for the first time since 2004’s Veer-Zaara, Bollywood giant Yash Chopra lives up to his reputation as 'India’s King of Romantic Cinema’ with Jab Tak Hai Jaan.
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